Saturday, 29 June 2013

Henri Rousseau

Henri Rousseau 

"When I step into the hothouses and see the plants from exotic lands, it seems to me that I am in a dream." 

Interactive of Henri Rousseau
(National Gallery of Victoria)


Artist
Rousseau, Henri, AKA Le Douanier Rousseau (1844-1910) was the most renowned of naïve artists, a Post- Impressionist painter, though he aspired to be a traditional French painter
Henri Rousseau became a full-time artist at the age of forty-nine, after retiring from his post at the Paris customs office
Rousseau was fascinated with the dream life of the subconscious, many of his artworks reflect this idea, therefore making his paintings relying highly on the subjective frame
Tiger in a Tropical Storm (Surprised!)

Artworks
Known best for his jungle scenes such as “Tiger in a Tropical Storm (Surprised!)”, The Sleeping Gypsy and
Influenced by a combination of "high" and "low" sources - academic sculpture, postcards, tabloid illustrations, and trips to the Paris public zoo and gardens
His works are characterized by heavy dependence on line, stiff (and unrealistic) portraiture, wild juxtapositions and flattened perspective



Audience
His Self taught artistic techniques and unusual compositions left him criticized by art critics and the public but respected by modern artists like Pablo Picasso and Wassily Kandinsky as he revealed "the new possibilities of simplicity."
The fantastic imagery that resulted from these hybrid influences of both traditional and tribal means gained popularity with the Surrealists as well.




World
There was a fascination with the exotic during its colonial expansion in late 1800s which would have influenced Rousseau’s work

Zoomorphism
Rousseau uses the animals as a symbol of the dream life of the subconscious
His juxtaposition of elements are shown particularly within his painting, The Dream containing a human relaxing on a sofa in a jungle while a tiger looks on.
The juxtaposition is used to create an emotional response within the viewer thus the use of animals as symbols is reflective of the zoomorphism style

The Dream

His Influence on my artmaking
Rousseau’s reliance on line and unrealistic displays definitely reflect a similar style of art
His use of bold colours as well as his focus on animals is reflective of my artmaking process
The symbolism of the animals is reflective of my large works such as the griffin and the wolf who are both juxtaposed to the background that they are contained within


See Also
http://www.michaelarnoldart.com/Henri_Rousseau.htm



Friday, 28 June 2013

Walton Ford

Walton Ford

"What I’m doing, I think, is a sort of cultural history of the way animals live in the human imagination.”

Artist
Walton Ford (1960) went to the Rhode Island School of Design majoring in film making though decided to instead become an artist painting large scale oil paintings.
He had always had a dream that he would, as a kid, grow up as a natural history artist, living on the edge of a national forest and going out and drawing animals
Interested in colonialism, descending from slave owners

The Island

Artwork
He wanted to create art in a way so it would no longer be viewed as a cliché attempting to “make images that look familiar appear unfamiliar”
He was interested in incorporating both the violent nature of animals as well as the destruction of human intervention
Each of the paintings have hidden messages, codes and symbols that give lessons in the destructive nature of colonialism. 
Fords work usually contains a mixture of revulsion and attraction


Audience
His realistic style has been compared by critics to those of past science books
They compliment on the contrasting nature of his paintings, which place emphasis on violence

World
21st Century…

Zoomorphism
Ford uses animals as a symbol of the evil of colonialism and its destructive nature
He uses bold colours which help to emphasise how what seems beautiful and right to one person can be seen as destructive to another


Influence on my artmaking Process
His use of strong bold colours and emphasis on line is similar to that of my work
While I do not have the same realistic perspective I am presenting beauty and destruction in my work particurly the interaction between different culture like Ford

Pancha Tancha

See Also



Lynnette Shelley

Lynnette Shelley

"Creatures reinterpreted through abstraction, decorative element and contemporary vision, these creatures speak to our collective unconscious" 



Lynnette Shelley
Artist
·         Lynnette Shelley moved to the Philadelphia area where she decided to pursue art, quitting her day job, she began professionally creating artworks in 2007.
·         She draws her inspiration from a style of Celtic art that uses a variety of colours and shapes which has been likened to images from an undiscovered ancient civilization or culture.





Artworks

She often uses a concoction of ink, oil, pastels, pencils, and gold leaf, as most of her artworks are mixed media
Her artworks are reflective of the Celtic culture, utilizing these particular curling symbols
Her artworks are considered to contain Jungian associations.
The works are use bold, confident lines and ornamental, delicate detailing

Jangala


Shelley working on her artwork Jangala

Audience
Being based in America she often exhibits her artworks locally particularly in Philadelphia
"Her artwork strikes a primal chord in many viewers, with almost Jungian associations found within” - Jennifer Schick

World  
21st Century … she is trying to repopularise traditional Celtic art while still adapting her artworks to contemporary times

Zoomorphism
Shelley artwork involves using a large number of symbols to create animals
These animals are reminiscent of folk tales and mythology thus having cultural values within them

Fire Horse

Her Influence on my artmaking
Shelley’s use of bold bright colours and intricate designs has particularly impacted on the small drawings of my major work
My fantasy artworks are reminiscent of her style, as well as the remarkable use of symbols that she manages to pack within a single artwork
The idea of the mythological beings manifested from her artworks which in turn gave me subject matter for my major work
As she is pushing the idea of culture, I related my artworks to the interplay of different culture and how they all interact to create a multicultural society


The Swimming Horses


The Swimming Horses Work In Progress




Thursday, 27 June 2013

Hieronymus Bosch

Hieronymus Bosch

"And what is the potential man, after all? Is he not the sum of all that is human? Divine, in other words?"


Interactive for Hieronymous Bosch


Artist
Hieronymus Bosch, also known as Jeroen Anthonissen van Aken (c. 1450 - August 9, 1516) was an Early Netherlandish painter of the fifteenth and sixteenth centuries.
He was a member of the religious Brotherhood of Our Lady which he used to impact his subject matter within his artworks

The Seven Deadly Sins

 Artwork
Many of his works depict sin and human morals utilizing compact imagery and symbolism from religious stories and concepts
He did not paint in the typical Flemish style (though he kept to the religious subject) which stressed a realistic portrayal
Best known for his painting, “the garden of earthly delights” which is generally thought to be a warning of the dangers of giving in to temptation
His paintings are characterized by bright, bold colours, intricate detail, animated objects, bizarre images and monstorous or amusing figures which suggest folk legends and religious ideals. 


Audience
While some contemporaries thought his works to be heretical, others thought that his work was simply to amuse and engage the viewer.
Others believe he was a proto-surrealist, he was attempting to liberate imagination as an act of opposition against society 
It is now generally accepted that his art was to teach moral and spiritual truths, and that the many fantastical and nightmarish creatures had a well-thought-out and meaningful significance. 


World
Strong religious influence, 15th century Europeans watched medieval morality plays in which the devil commonly appeared and interacted with humans.  
It was believed that the immoral were going to be punished for their crimes by spending eternity in Hell while the uncorrupted persons would spend a life in Heaven  


The Garden of Earthly Delights

Zoomorphism
Bosch’s incredibly detailed and complex works have strong religious and moral importance
The use of known religious symbols such as adam, eve and demons gives the reader a clear moral perspective
Bosch’s use of colour and Imagery has further managed to show distinction between good and evil highlighting the significant morals that are portrayed within the work as well as their consequences for breaking those morals

The Last Judgement

Influence on my artmaking process
His use of symbolism has influenced my artwork through the strong references to culture which I hope to show in my work
While my artwork does not depict morals as Bosch’s does it still contrasts two ideas, interaction between culture and the destructive effect that loss of culture can have
His unrealistic style has also gained influence within my work, as I am working with the subject of the supernatural as well

 See Also